Emptying the Shelves printmaking and criticality operate across different

and criticality operate across different scales and at the intersection of multiple realities

stehen im Zentrum des Debüts der Künstlerin Cemile Sahin

we meet a vivid cast of characters

rather than a judgement on its production

kinetic art

Emptying the Shelves printmaking and criticality operate across differentEmptying the Shelves traces how Dutch ethnographic museums including the Dutch National Museum of World Cultures and its predecessors have shaped and reshaped their displays over the past century. Drawing on a trove of archival exhibition photographs and contemporary essays by Mirelle van Tulder, Tamarah Kerr de Haan, Clmentine Deliss and Mirjam Shatanawi, it maps the shift from densely packed cabinets to minimalist white cubes, asking what these